{"id":3915,"date":"2025-10-07T16:02:33","date_gmt":"2025-10-07T16:02:33","guid":{"rendered":"https:\/\/thenewsroomhub.co.ke\/?p=3915"},"modified":"2025-10-07T16:04:28","modified_gmt":"2025-10-07T16:04:28","slug":"samthing-soweto-returns-with-his-long-awaited-second-album-touch-is-a-move-good-morning","status":"publish","type":"post","link":"https:\/\/thenewsroomhub.co.ke\/index.php\/2025\/10\/07\/samthing-soweto-returns-with-his-long-awaited-second-album-touch-is-a-move-good-morning\/","title":{"rendered":"Samthing Soweto returns with his long-awaited second album, Touch Is a Move: Good Morning"},"content":{"rendered":"\r\n

South African music icon Samthing Soweto has made a powerful comeback with his long-awaited second album, Touch Is a Move: Good Morning<\/em>.<\/p>\r\n\r\n\r\n\r\n

The album captures a day in Soweto and presents a rich collection of love songs from one of the nation\u2019s most cherished voices \u2014 affectionately known as \u201ciqanda le country.\u201d<\/em><\/p>\r\n\r\n\r\n\r\n

The album\u2019s title draws inspiration from Samthing Soweto\u2019s personal philosophy and daily rituals. \u201cTouch Is a Move\u201d<\/em> reflects a rule from childhood games \u2014 once you touch a piece, you must make your move.<\/p>\r\n\r\n\r\n\r\n

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For Samthing, this evolved into a way of life: living courageously, without hesitation. \u201cGood Morning\u201d<\/em> emerged from his 2023 ritual of greeting his online community daily, a simple yet powerful act of maintaining connection.<\/p>\r\n\r\n\r\n\r\n

Together, the two ideas form the foundation of an album that explores how small, intentional acts and words shape identity and belonging.<\/p>\r\n\r\n\r\n\r\n

Touch Is a Move: Good Morning<\/em> unfolds like a full day in Soweto, told through the eyes of a five-year-old Samkelo in the early 1990s. Listeners meet his family \u2014 uMama, uGogo, bhut\u2019 Lungisa, sis\u2019 Amina, and sis\u2019 BhiBhi \u2014 through his childhood perspective.<\/p>\r\n\r\n\r\n\r\n

These scenes are interwoven with reflections on community and heritage, blending nostalgic memory with present-day insight. As the self-described \u201ciqanda lakubo\u201d<\/em> (last-born), young Samkelo\u2019s voice serves as a guide through moments of innocence, love, and discovery.<\/p>\r\n\r\n\r\n\r\n

Running alongside these interludes is a series of deeply emotional love songs that reveal different shades of affection \u2014 from playful to profound. Tracks like \u201cIndandatho\u201d<\/em> vow eternal love through tradition, while \u201cAma Get Down\u201d<\/em> (featuring Blxckie) wrestles with emotional confusion in a strained relationship.<\/p>\r\n\r\n\r\n\r\n

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\u201cDon\u2019t Wanna Let Go\u201d<\/em> pleads for reconciliation, \u201cSwi\u201d<\/em> flirts with an ex, and \u201cAmagents\u201d<\/em> offers a father\u2019s tender warning to his daughter about boys. Other highlights include \u201cCome Duze\u201d<\/em>, a call for closeness; \u201c325\u201d<\/em>, a poetic celebration of romance; and \u201cNgicela Sithandane\u201d<\/em>, a vulnerable request for love.<\/p>\r\n\r\n\r\n\r\n

The album\u2019s final track, \u201cGoodNight\u201d<\/em>, closes with uGogo\u2019s prayer, as young Samkelo drifts to sleep \u2014 ending the day, and the record, in peace and reflection.<\/p>\r\n\r\n\r\n\r\n

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Born Samkelo Lelethu Mdolomba, Samthing Soweto remains one of Africa\u2019s most influential musical storytellers.<\/p>\r\n\r\n\r\n\r\n

As a founding member of The Soil<\/em>, he transformed the sound of modern a cappella before achieving solo stardom with chart-toppers like \u201cAkanamali,\u201d \u201cAkulaleki,\u201d \u201cAmaDM,\u201d<\/em> and his platinum-selling debut Isphithiphithi<\/em>.<\/p>\r\n\r\n\r\n\r\n

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With this new project, he reaffirms his place as a heavyweight in South African music \u2014 a soulful innovator whose voice bridges generations and carries both memory and meaning.<\/p>\r\n","protected":false},"excerpt":{"rendered":"

South African music icon Samthing Soweto has made a powerful comeback with his long-awaited second album, Touch Is a Move:…<\/p>\n","protected":false},"author":2,"featured_media":3916,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[149,150],"class_list":["post-3915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trends","tag-samthing-soweto-returns-with-his-long-awaited-second-album","tag-touch-is-a-move-good-morning"],"jetpack_featured_media_url":"https:\/\/thenewsroomhub.co.ke\/wp-content\/uploads\/2025\/10\/6666555.png","_links":{"self":[{"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/posts\/3915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/comments?post=3915"}],"version-history":[{"count":2,"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/posts\/3915\/revisions"}],"predecessor-version":[{"id":3918,"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/posts\/3915\/revisions\/3918"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/media\/3916"}],"wp:attachment":[{"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/media?parent=3915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/categories?post=3915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thenewsroomhub.co.ke\/index.php\/wp-json\/wp\/v2\/tags?post=3915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}